Addie doesn’t know who left the footprints in the snow outside her house, but she’s convinced it’s someone seeking revenge for the horrific crime her son committed a year ago. Follow Addie as she tries to uncover the trespasser's identity and come to terms with the actions of a son she loves but can’t understand.
It's been years since the woman in "Biting the Moon" has seen her former lover Felix, a famous, Oscar-winning composer. But upon hearing the news of his sudden death, she mourns his loss by revisiting moments of their former life. Jumping in time from the pair’s first encounter at an artists’ colony to their rendezvous in cities across the US, the path the narrator takes toward acceptance is much like the jazz the couple loved so much: winding, unexpected, and beautiful.
Izzy Gam wants to be buried on the Mount of Olives, known as "the number one place for a Jew to be buried," as the resurrection is supposed to begin there. Unfortunately, it turns out that his planned resting place is already occupied, as is every other place in Israel that his increasingly flustered family tries to put him.
In this touching and humorous essay, John Philip Drury recounts coming of age during the Vietnam Era. With a low draft number and an exit from college looming, Drury faces the imminent possibility of fighting in a war that he opposes. In the meantime, he tries and abandons a dream to become a songwriter, labors mightily to lose his virginity, and looks to the adult world around him for models of what he most wants to be -- an artist.
Amanda is living alone in the house where her mother, now dead of cancer, once grew up, when a Facebook friend request puts her back in touch with a cousin, John. After months of seeing his life flicker across her screen, she learns he has moved to a community led by a mysterious Jason Wilson. John refers to him as “one of the greatest thinkers of our time,” but his friends are worried that Wilson may in fact be a cult leader. Pressed by John’s ex-girlfriend, Amanda visits the community.
Sofia is in a rut. Her dissertation work is stalled, and her life seems to be one gray day after another. When an elderly scholar, Monsieur Charles Vinson, invites her to his house in Villeneuve-les-Avignon for the summer, cataloging his dead father's papers and writing, she jumps at the offer. There, she spends her days flipping through relics of the past century, burrowing deeper into the troubled history of the Vinson family.
Villa Bohème is a Puerto Rican motel where, in the words of one of the "strays" who have assembled there, the people are biding their time. They drink, they play darts, they wait on the beach for something to happen. This washed-up place is run by a washed-up lawyer with one remaining client, and into it steps Tito, the lawyer's son, fourteen years old, smart and surly, fleeing his mother and her annoying boyfriend.
Meet Clay, a Brooklyn performance artist who is sick of being broke. Sporting a row of stitches from his last show, and severely in debt to both family and girlfriend, he decides to do the unthinkable: get a straight job. Clay shaves off his green hair, teaches himself to type, and gets a secretarial gig on Wall Street. But is this just another form of theater? Will his girlfriend still love him in a necktie? What about his artist friends--will they forgive him for consorting with the enemy?
When the Khourys and McKissicks meet to share a neighborly meal, an adventure begins. Living in the changing ethnic landscape of Kansas City, one is a family of Syrian immigrants; the other, African Americans with roots in Louisiana. What brings them together is a love of food. Along with friendship, a dream takes root between the two mothers, Miriam and Tamara—starting a new restaurant that will feature the specialties from both of their traditions, the Café Deux Mondes, or Two Worlds Cafe.
When Robert Howard is assigned James Joyce's A Portrait of the Artist as a Young Man in his Catholic high school, his teacher, a Jesuit priest, announces, "Other people may read about it, but you are LIVING it!" As promised, the young Howard, growing up in 1970s Detroit, feels an intense identification with the protagonist of Joyce's first novel, Stephen Dedalus.